Shakil Mridha and the Evolving Language of Relief Printmaking in Bangladesh

Printmaking in Bangladesh is a traditional and widely celebrated medium of art. Over time, it has grown increasingly popular. Fundamentally, printmaking is a studio-based art form. The three most commonly practiced types of printmaking are relief, intaglio, and planography.

Beyond these conventional forms, the stencil-based method of serigraphy or screen printing has also gained global prominence in recent times. In fact, in various parts of the world—including Asia and Europe—digital printmaking is now being practiced as an integral part of the printmaking discipline. As a form of contemporary print, its value and recognition are steadily rising.

In Bangladesh, relief printmaking has been particularly popular from the beginning, and its popularity continues to grow. This can be attributed to its relative accessibility and practical flexibility. Artists can work with this medium even outside of the studio, in various environments—giving it a distinct advantage over other printmaking techniques.

However, while this medium may seem accessible, it carries a profound depth within. Working in relief printmaking demands patience, discipline, and dedication.

Shakil Mridha embodies all three qualities. He is doing remarkable work in the relief medium. Having closely observed his creative process, I can say without hesitation that he is an exceptional example of deep focus, relentless effort, and unwavering commitment. Creating such large-scale works in a labor-intensive technique like woodcut is only possible for an artist who is truly devoted to his craft.

Moreover, beyond technical mastery, what truly defines an artist is the development of a unique personal style. Encouragingly, Shakil is progressing on that very path. His work reflects a clear visual language, emotional depth, and a keen sense of aesthetics.

Even in his choice of subjects, one can see thoughtful reflection and a distinctive form of expression. Though young in age, Shakil’s work radiates a powerful sense of momentum and energy—qualities that, I believe, will shape him into an even greater artist in the future.

I remain hopeful that his personal artistic journey will continue to flourish—that his thoughts and style will evolve to become even more expansive and profound over time.

• Artist Ahmed Nazir
  Founder,
  Safiuddin Shilpalay